Grady Harp has reviewed “What’s Real?” album
A musical expression of Wholeness and Emptiness
by: Grady Harp
Date: July 7, 2012
It is rare when artists devote their craft to answer universal questions. But that is precisely what Rixa White offers in WHAT’S REAL? The hour long experience created here is composed and executed by Rixa White – a self-taught pianist, keyboardist, composer and poet, and if ever there existed a merging of all of these aspects it is here, in this music, in this sensory seduction, and in posing answers (or lack of same) to the question we all ask of the Universe – what’s real?
White’s complex keyboard utilization creates orchestras, voices, layers of atmospheres that lift us above the new and transport us to a level of receptivity to bigger questions and leaves us satisfied that none of this is real: it is all an illusion which we mold to our needs and hopefully expand our perception of possibilities.
The art connected with Silentaria speaks to the same end: `The album cover image illustrates a fading shadow on fading water ripples in the dark which ends up to a dot. The shadow can be any creature diving into illusion. The fact that both shadow and reflection on the water not existing by themselves, emphasizes the concept that what we believe and experience may not be real.’ The track titles suggest the rest: Mirage, What’s Real?, Oceans of Illusion, Vital Doubts, Curtains Over Eyes, Sorrowful Truth, Deceived, Real Fantasia, Consciousness, Diversion, and Echoes from East.
Sit back, absorb, challenge your senses and refresh in asking the questions posed by WHAT’S REAL? This is one of the more successful albums of New Age Music around.
Grady Harp, July 12
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